Revelations

These pages are dedicated to some of the current discoveries, theories and work projects of Gary Osborn. Some of these new discoveries are still in the process of being further researched and revised and any valid conclusions reached by the author will be presented on this site or in future books.

These presentations also contain additional left-over material from Gary's book Axis of God due to be released in 2007.

Click on the images or the page numbers below to go to the relevant research pages.

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RECENT DEVELOPMENTS ON THE POUSSIN CODE UPDATE

Just after Christmas 05, Canadian researcher Don Barone posted on various forums publicising his own discovery of the code in Poussin's painting Les Bergers d'Acardie. See here:

During Nov, 05, and because of his interest in numerous Renaissance and Baroque-period paintings long rumoured to contain a cipher or code, I decided to show Don my own discovery of the '23.5 Degree' angle which I had found encoded in various paintings and other important sources throughout history. (See presentation above).

  Consistent references made to this angle, which appears to be associated with the tilt of the earth's axis, is pointing us to something that once happened in our past and will possibly happen again in the future. This is what I am still working on and something we are all still yet to discover in full.

  I find it amazing that these references have largely gone unnoticed for thousands of years and that I have been the first person in all this time to bring attention to this phenomenon.

  I also decided to show Don some of what I had discovered in the Poussin paintings (also related to the angle of 23.5 degrees) to prove to him that there is indeed a code, and one which is pointing to a location that no-one had considered as yet . . . Giza in Egypt.

Since then, and while also publically acknowledging my own part in this which I thank him for, Don claims to have discovered things himself in the paintings I mentioned and indeed has announced that he has finally "solved the code of Poussin". In his posts he has also said that he wouldn't reveal it because it may compromise my own work on the subject. I considered the possibility that Don may have found some additonal information, but was also sceptical that he had actually solved the code itself - unless he had discovered what I myself had already found - something I have since researched into, cross-referenced with other data and have checked over and over again.

Up until February 17th, 2006, I had not personally received anything revelatory from Don in this regard, and although I had given him the "green light" to go ahead and publically reveal what he had found, if that be his wish, Don had told me that he had decided to wait until the time was right, and so I could only respect Don's wish not to divulge it.

  Don then changed his mind and told me he had decided to publically announce what he had found on 23rd February 2006, and sent me a preview on the 17th . . .

I am still analyzing what Don sent me, and can only say, that although he may have found some important additional findings, what I see in his own alignments and drawings bears no resemblance to what I had already discovered between 2002 and 2004 concerning the 'Poussin-Giza connection' - which no-one else had realised even existed at that time!

  I had already arrived at my own conclusion of the code, which is clear and consise, and to date have not divulged this to anyone besides members of my own family.

I guarantee that despite Don's claim that he has "solved this code", which I cannot agree with but will continue to support him in his findings, there is much more to be revealed - the conclusion of which will surprise everyone interested in this subject, and so I am going ahead with my intention to publish what I had discovered initially - some of which I reveal here in the above presentations.

  There is of course the possibility that there is far more valid and additional information encoded in the Arcadian Shepherds painting which Don has now discovered and which I have overlooked.

Furthermore, and it must be said, I am also aware that these "discoveries" could be another occurence or 'case-in-point 'of the phenomenon I call the Synchroholoform. See here:  in that we all find what we are looking for . . . including myself.

  Providing evidence or even proof that the artist or creators of these sources, had deliberately and consciously encoded the information we find in their creations is another thing, and this is what my own research has been about and why my work in this area is still far from finished.

  Update February 26, 2006, Gary Osborn

And here: