Page 6
23.5 Degrees
Part 2: The Theme of 'Death' and 'Imbalance':
The Passion of Christ
Many of us are now discovering that the Jesus story is really based on the shamanic and pagan conception of the 'resurrection god' of many cultures, who in ancient Egypt was represented by the god Osiris and also Horus - the son and reincarnated-self of Osiris. Keeping this in mind, we can see how the Crucifixion of Christ - especially the Cross which is tilted when carried by Christ to the Hill of Golgotha, ("place of the skull") his place of execution, and then raised up vertically from which he then ascends to heaven, is really based on the ancient Egyptian ritual of the 'raising of the Djed Column' from its tilted position of 23.5º .
All these elements which have been encoded in these paintings and other sources throughout history, appear to be leading us back to ancient Egypt and Giza - as if revealing the true meaning behind the stories presented in the Gospels which have been adopted, adapted and promulgated by the Church. Again, keeping the above in mind we are then able to recognise the references to this deeper meaning encoded in the paintings given in this presentation.
Look at the painting below.
What is the old man doing with his hands? Well nothing that makes sense straight away.
Is he performing some ritual or magical spell?
Surely this painting like the others we have just seen, is shouting out 'CODE!'?
13. Detail from The Mass of St. Gregory (15th century) - attributed to Bernt Notke, who is said to have painted The Dance of Death of Lubeck.
. . . And of course we would be correct in our assumption, because that's exactly what we have here 'a code', and yet again we find the reference to the angles of 23.5º and 52º . . . and now another angle - 6.4º - which is the angle of the closed fingers.
You may notice that these angles are formed from the spaces between the fingers and the thumb and fingers.
I find it interesting that 23.5º + 6.5º = 30º , because the Great Pyramid is situated 30 degrees from the earth's Equatorial Plane which again, is inclined with the earth at 23.5º .
But my revealing the real significance of this 6.5º angle will have to wait until later - there's many more examples to look at and examine before the true significance of this angle can be appreciated.
14. The encoded angles in this section of the painting.
The above detail is taken from the painting below - The Mass of St. Gregory.
Gregory the Great was a 6th century Pope who, while celebrating mass in the Church of Santa Croce (The Holy Cross) in Rome, is said to have had a vision of the crucified Christ surrounded by the instruments of the Passion. Gregory’s vision became a popular subject in medieval art.
15. The Mass of St. Gregory, 15th century.
This painting needs to be studied closely and in as much detail as the segment shown above. There are many 23.5º and 52º angles referenced in the painting: For example, the torso and head of Jesus are leaning at 23.5º . His left forearm is 23.5º ; the red bands of the diagonal cross worn by the individual standing to the extreme left are 23.5º and 52º etc., etc.
There are several other paintings from the same time period depicting the same scene as the one above, and there is one which is particularly interesting . . .
Crooked Christ
Below is another version of The Mass of St. Gregory.
As we can see, although it looks like Jesus is dancing, the body of Jesus is actually deformed . . . crooked
16. The Mass of St. Gregory painted by Robert Campin c. 1400 - 1444.
