Page 13
23.5 Degrees
Part 3: Conflict, War and the Enlightened
Below we see the hidden angles in the painting, and like the engraving we saw earlier of Jesus being arrested, we see the same design that references the Great Pyramid - the 52º sides beginning from the bottom corners and reaching upwards to a point above the head. And as we can see, the lines converge just underneath the cross which symbolically marks the bindu point of enlightenment. The two 23.5º lines begin on either side of the two fleur de-lis symbols in the floor and converge at a point above the triangular opening of the black canvas which is draped over the back of the throne like a canopy of some kind.
39. The 52-degree lines and the 23.5-degree lines hiding in the painting
The 23.5º triangle is offset to the right of the 52º triangle, and so it looks awkward and out of place. Both line-up with their respective features - i.e., the cross and the peaked front of the canopy - but why is the 23.5º triangle offset?
Well there appears to be a reason for this, and the result is amazing and reveals the intent of the artist to give some confirmation to these angles of 23.5 degrees. See below.
40. The angle of 23.5 degrees going through both triangles and at the points where both intersect each other.
Note how the horizontal 23.5-degree line crosses the key.
If we now draw a line through the two points where both triangles touch each other, we find that the angle of the line is exactly 23.5 degrees!
What are the odds against this?
If the 23.5º triangle had been just a degree to the left or to the right, then these lines would not match-up. This shows intent on behalf of the artist who has clearly encoded these angles in the painting - bringing attention to the true origin of the shamanic and pagan beliefs surrounding the concept of the pyramid - which were used and then suppressed by the Church.
There is clearly more to this painting than what I have discovered here and so more work needs to be done, but I am intruiged by the fact that the 'KEY' held by the Pope is angled at exactly 6.5 degrees - as is the cross held to the right of him by the Cardinal in white who wears a Mitre - a fish head like the Babylonian fish-being Oannes - a Shining One - whom John the Baptist was based on.
41. More familiar angles - the Key and Cross at 6.5º . What else could be hiding in the painting?
Keeping the previous two paintings in mind, we will now look at one of Nicolas Poussin's well known paintings which contains the same hidden code . . .
