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23.5 Degrees

Part 2: The Theme of 'Death' and 'Imbalance':

The Dance of Death

Some believe, and are of the opinion, that the tilt of the earth's axis is a 'natural phenomenon', and that the 23.43º or 23.5º tilt is necessary as the summer and winter cycles govern life on our planet.

  But, if this is true, then what exactly did the 'initiate' artists know - those who gave reference to this angle? What were these people trying to tell us? 

  Look at the painting below based on an original from the 15th century. This macabre painting is known as The Dance of Death.

 

4. Detail from Lubeck's The Dance of Death

 

The original painting was said to have been sponsored by the Catholic Church. Many believe that it was painted by an artist named Bernt Notke in 1463 - the century before the Renaissance - but there is no proof that Notke painted it.

 

We see a preacher delivering a moral lecture or sermon about salvation and on behalf of the 'Angel of Death' . . . that those who are reluctant to join in the dance have not prepared themselves in time and to avoid it should rid themselves of sin so as to enter heaven.

  However, the painter appears to have been an initiate who understood things that the Church had suppressed from the time of its earliest inception - i.e., that the original shamanic and pagan conceptions that were used by the Church to establish Christianity were originally based on the shamanic ‘Resurrection God’ of many different cultures and the believed 'rebirth' of this saviour and healer who was also believed to have the power to ‘resurrect’ the earth’s axis to its vertical position and bring back the balance and harmony enjoyed during the 'Golden Age' in terms of healing the duality and imbalance in human consciousness.

  See here - the synopsis of my forthcoming book Axis of God.

 

The encoded references I have unearthed, appears to be the real code, to which the so-called Da Vinci Code is merely an addition, as we will see.

  It appears that amongst many other things that are indeed related - and one has to acknowledge the correspondences this has with consciousness processes - this code is mainly associated with the earth's axis. And so based on my own interpretation of the data I have cross-referenced and researched - some of which I am presenting here for the first time to support the discoveries included in my book - it seems that the artist has encoded a reference to this 'original meaning' based on the earliest beliefs about the Axis in this painting - i.e., early shamanic and pagan beliefs which have been suppressed by the orthodox religions and like the code in these paintings, has remained hidden behind or beneath the Christian beliefs as presented by the Catholic Church

(Click on painting to see the hidden information)

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